A lyrical, heart-lifting love letter to Black and Brown children everywhere reminds them how much they matter, that they have always mattered and they always will.

A tale based on true events follows the coming-of-age of a girl who is motivated by an act of racism at school to learn about her ancestral heritage and her grandparents' experiences as lost children during the Korean War.

"Eleven-year-old Maizy Chen visits her estranged grandparents, who own and run a Chinese restaurant in Last Chance, Minnesota; as her visit lengthens, she makes unexpected discoveries about her family's history and herself"--Provided by publisher.

Growing up, Jeremiah is puzzled by racially-motivated gun violence in and beyond his community but when he is ready to talk about it, he learns hopeful forms of activism and advocacy.

After discussing the police shooting of a local Black man with their families, Emma and Josh know how to treat a new student who looks and speaks differently than his classmates. Includes an extensive Note to Parents and Caregivers that provides general guidance about addressing racism with children, child-friendly vocabulary definitions, conversation guides, and a link to additional online resources for parents and teachers.

"When a young girl is asked where she's from--where she's really from--she's no longer as she was. She decides to turn to her dear abuelo for some help with this ever-persistent question. But he doesn't quite give her the answer she expects."--Page [2] of cover.

"It's 1967, and eleven-year-old Ellis Earl Brown has big dreams. He's going to grow up to be a teacher or a lawyer--or maybe both--and live in a big brick house in town. There'll always be enough food in the icebox, and his mama won't have to run herself ragged looking for work as a maid in order to support Ellis Earl and his eight siblings and niece, Vera. So Ellis Earl applies himself at school, soaking up the lessons that Mr. Foster teaches his...

When Michael and his grandmother board a train for his first train ride, the conductor directs them to the "colored only" section. But when the train pulls out of Atlanta, the signs come down, and a boy from the "whites only" section runs up to Michael, inviting him to explore. How come Michael can go as he pleases in some states, but has to sit in segregated sections in others? Based on author Michael S. Bandy's own recollections of taking the train...

"After seventh-grader Jerome is shot by a white police officer, he observes the aftermath of his death and meets the ghosts of other fallen black boys including historical figure Emmett Till"--

In the year following their son's death, May Chen's parents face racist accusations of putting too much pressure on their son and causing his death by suicide, and May attempts to challenge the racism and ugly stereotypes through her writing, only to realize that she still has a lot to learn and that her actions have consequences for her family as well as herself.