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Formed in Wiltshire, England, in 1980, the Subhumans are rightly held in high regard as one of the best punk rock bands to ever hail from the UK.
Over the course of five timeless studio albums and just as many classic EPs, not to mention well over 1,000 gigs around the world, they have blended serious anarcho punk with a demented sense of humour and genuinely memorable tunes to create something quite unique and utterly compelling. For the first time...
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'The Scene That Would Not Die: Twenty Years of Post-Millennial Punk In The UK' is the fifth and final book in Ian Glasper's acclaimed series documenting the UK punk scene, bringing to a conclusion his in-depth analysis of this most underground musical genre, that began with 2003's 'Burning Britain: A History of UK Punk 1980-1984'.
Featuring 111 bands active since 2000, hundreds of exclusive new interviews and previously unseen photos, this book explores...
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TERRORIZER WAS THE WORLD'S LEADING EXTREME MUSIC PUBLICATION FROM ITS LAUNCH IN 1993 TO ITS UNTIMELY DEMISE IN 2018. IAN GLASPER WAS ONE OF THE FEW CONSTANTS DURING THE MAGAZINE'S TWENTY-FIVE YEAR REIGN OF TERROR, AND THEIR MAIN CORRESPONDENT FOR PUNK, HARDCORE AND THRASH METAL. HERE, FOR THE VERY FIRST TIME, HE HAS COLLECTED ALL HIS INTERVIEWS TOGETHER, INTO A TWO VOLUME COLLECTION, GIVING US REAL INSIGHT INTO THE BANDS AND THE ALTERNATIVE SCENE...
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As the Seventies drew to a close and the media declared punk dead and buried, a whole new breed of band was emerging from the gutter. Harder and faster than their '76-'77 predecessors, not to mention more aggressive and political, the likes of Discharge, the Exploited, and G.B.H. were to prove not only more relevant but arguably just as influential.
Several years in the making and featuring hundreds of new interviews and photographs, Burning Britain...
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The Day the Country Died features author, historian, and musician Ian Glasper (Burning Britain) exploring in minute detail the influential, esoteric, UK anarcho punk scene of the early Eighties.
If the colorful '80s punk bands captured in Burning Britain were loud, political, and uncompromising, those examined in The Day the Country Died were even more so, totally prepared to risk their liberty to communicate the ideals they believed in so passionately.
With...
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